Walking Festival

There is no Internet in the flat I am staying in which is why the blog is not being updated very often, so writing this from work at the end of the day. Hopefully this will be sorted very soon and I can start adding pictures.

As part of the Walking Festival currently taking place in Huntly I will be taking part in Deveron Arts Hamish Fulton walk taking place on Sunday. This involves a 5 hour walk to the edge of the Cairngorms where we will watch Hamish as he disappear’s into the distance to spend 21 days in the Cairngorms. Preceding this on Saturday will be an Arts breakfast and talk with Hamish and Deveron Arts current Shadow Curator Mary Jane Jacobs, a choreographed walk in Huntly, and a Tim Brennan manoeuvre up at Battlehill Woods. Ending the night with a Céilidh, and possibly the famous Strathbogie Disco.

Tonight at 6pm, however I am going on Tim Brennans walk around Deveron Arts Town Collection, where he will talk about the various art works in the collection.

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21 Days in the Cairngorms

Have been at Deveron Arts now for a few days working on the Hamish Fulton project ’21 Days in the Cairngorms’. Involves walks, talks and an Art Breakfast over the 18 and 19 April followed by the 21 days walk by Hamish and talk about his experiences when he is back on th 9 May. All in Huntly and the Cairngorms.

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Flower pots


None

Posted by ShoZu

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AV Festival 2010

Going to the first event of the AV Festival tomorrow at BALTIC, the ‘Commissioning and Collecting Variable Media’ symposium run by the Contemporary Arts Society and Crumb.

The decription of the symposium is:

‘The work of artists who use new media art, live art and other ‘variable media’ is increasingly being drawn into our national public collections. Excellent models exist where major works are acquired or where artists are commissioned specifically to create works for collections. This symposium offers an opportunity to learn from pioneering institutions that have worked with artists.

Keynote speaker: Benjamin Weil, Chief Curator of LABoral Centro de Arte y Creación Industrial de Gijón, Spain.

Other confirmed speakers include: Laura Sillars, Programmes Director, FACT; Lisa Panting, Director, Picture This; Lois Keidan, Director, Live Art Development Agency; Graham Harwood, artist.

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Spectral Ecologies, A Courier’s Tragedy – Part One

I took part in the Spectral Ecologies, ‘The Couriers Tragedy’ at p-technic, a 3-day investigatory workshop from the 24-26 September 09. Run by artist Martin Howse, Artist, programmer, theorist and film-maker, the workshop investigated:

complex city-wide spectral ecologies constructed through subtle interactions between electrical and magnetic fields (EMF) emitted by all electrical equipment, physical materials, communication technologies (wireless networks, mobile phone networks, RFID, television, radio, radar), power lines, biological phenomena, and geological properties in Newcastle upon Tyne.

Named the Couriers’s Tragedy as it was:

concerned with a submission of the medium enacted by both ancient and contemporary communication systems. The messenger is rendered redundant (literally killed) on delivery; the message is that which really matters. The carrier can be discarded in favour of a meaningful signal, and this is precisely what all radio apparatus enacts, equally eliminating noise and uncertainty. Expanding a clear concern with electromagnetic [EM] phenomena as a question of substance, and extending the spectrum of artistic concerns to embrace modern data space, this workshop attempts to bridge this impossible divide between the physical (waves) and the protocol (code); asking how, within complex spectral ecologies, it is possible to examine and embrace both the carrier and the signal, to observe the subtle interactions and inherent abstractions? In this context, such an examination becomes a manner of revealing; revealing another city, revealing new modes of communication and transmission (hidden networks).

The workshop  aimed to investigate the electromagnetic fields that surround us, such as from computers, laptops, mobile phones and other every day electrical equipment and develeop a landscape of a chosen area using open source software, such as kismet, scapey and wireshark. Like ghosts which may have a message or meaning which needs interpretation. The day also investigated Open System Interconnection Reference Model, or the seven layers of OSI, in particular in relation to the course, the physical layer as an example of the messenger.

The first and second day consisted of building a Frequency Detector using a L15543 chip,with a dynamic range of w60db and a range of 50mk3 to 3GH3. We then attached a audio recorder and headphone to each one and went for a quick walk down to Newcastle and Gateshead Quayside, over the Millennium Bridge, up to Grey’s Monument, past the Laing Gallery and back to base at p-technic.

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