A Politicized Art – one day symposium
Loughborough University School of Art & Design
Wednesday 19 November 2008
Towards the formation of a critical counter public sphere: A one-day symposium to explore the relationship between art practice and the public sphere.
In the debased public sphere of the mass media, public opinion is administered, monitored, managed and manufactured by the private interests of big business, including the private interests of the owners of global media companies and the commercial interests of advertisers and sponsors.
Critical art is emancipatory, dialogical and dissenting. It is recalcitrant and unmanageable. A critical art is a politicized art and therefore concerned with the current condition of liberal democracy; this symposium asks how can critical art practices bring their autonomy to bear upon a debased public sphere and enable the formation of a critical counter public sphere?
Speakers: Malcolm Barnard, Freee Art Collective, Andrew Hunt, Marysia Lewandowska, Jim McGuigan, Malcolm Miles and Simon Sheikh.
Jim McGuigan – The Cultural Public Sphere: Critical Measure of Public Culture?
‘Media plays to the politics of the day’
Malcolm Miles – Art as a Public Sphere (Now and Then)
Aesthetic —- Social
Art —- Dissent
‘Institute for the Art and Practice of Dissent at Home’, (IAPDH), Liverpool
Royal Standard – Future Visions, Liverpool
Use of art in the public space/realm masks the other problems with regeneration, i.e., the depression of the minority through the controlling of them via the design of the public space/realm/sphere
Capitalism is nothing and unworkable without the very people it aims to exclude.
Art is nothing and unworkable without the very people it aims to exclude.
J Robertson, & F Jameson, ‘Post Modernism, Politics & Art’
Freee Art Collective ( Beech, Hewitt and Jordan) – A Politicized Art
– Slogan and Reimbodiement
Take a position and divide opinion
Call Forth Collaborators
Malcolm Barnard – Fashion: Public and Private
Words for Private – Idios – Greek
– Idiom – Latin (?)
Words for Publlc – Hubris
Different language interpretation of works
Jacques Derrida – idiomatic writing
Ludwig Wittengstein – ideas on language – private/public
C18 C19 C20
Marysia Lewandowska – Social Cinema
Projections, screens, cinemas placed around London – onto private housing, a housing estate, opposite Tate Modern.
‘This is Tomorrow’, Whitechapel, 1956
Use of archive material
Simon Sheikh – Manufacturing Dissent
B-books – collection of essays, Autumn 08
3rd generation of institutional critique use it to ‘defend’ museums/ organizations
2nd generation to try and overthrow
1st generation to criticize
Critical —- Political
Criticism as a critic and as a celebration.
Fluxus was used to put forward a political point of view yet was not all of the artists theoretical practice. Their work was politicized yet not political
Erosion of autonomy
Bourgeois public sphere
Corporate public sphere
Andrew Hunt – Regional Curating as a Counter-Public Sphere
Amateur and the Idiot
Regional as an opposite to the centre – a marginal place
Affirmative critique and antagonism.
Affirmation vs Politics
Focal Gallery, Southend
‘Critical of Political Critical